Lord Byron, Isak Dinesin, Karen Blixen 1885-1962, comparative literature, carnivals, storytelling, literary characters, syphilis, poetry, irony, authorship attribution, biography
English, Scandinavian Studies
A discussion of the self-conscious and deliberate irony that both George Gordon, aka Lord Byron, and Karen Blixen, aka Isak Dinesen, intentionally used to make a problem out of literary biography through their respective strategies of dealing with fame and the discursive self. As the trouser-clad Baroness, who managed her African farm from the back of a horse and later as a pseudonymous "male" poet in her own right, Dinesen entertained the concept that she resembled Lord Byron. What literary theorists refer to as Byron's "self-fashioning" is reproduced in interesting ways by Karen Blixen's highly theatrical approach to her own public persona, which she understood as a series of masks, starting with her aristocratic, male pen name.
From Scandinavian Studies 81:1 (Spring 2009). Copyright 2009 by Scandinavian Studies. Used with permission of the University of Illinois Press. Link: http://www.press.uillinois.edu/journals/ss.html.
Eck, Lisa. “The Danish Spinster and the English Rake? Isak Dinesen as the Inimitable Lord Byron—A Mythobiography.” Scandinavian Studies, vol. 81, no. 1, 2009, pp. 95–120. Accessed at: http://digitalcommons.framingham.edu/eng_facpub/83/